*Free Form (1/3) – Blue & Yellow*, 3.5 x 3.5 inches, embroidery floss, Aida cloth, 2021

November 2021 - Update

November 02, 2021

The last few months I’ve been taking it easy and slowly getting back into the flow of working on my art practice. In October, I finished three new cross-stitch works titled Free Form Series 01, which I’ve submitted for consideration in a textiles exhibition early next year.

*Free Form (2/3) – Orange & Purple*, 3.5 x 3.5 inches, embroidery floss, Aida cloth, 2021

Free Form Series 01 was created with the intent to play and explore the techniques of cross-stitch in a similar way to abstract drawing or painting. Normally cross-stitch follows a specific pattern which is determined prior to starting a project. The only pre-planned factors in this series were the two complimentary colours that were selected for each piece. By utilizing various stitches and colour combinations the possibilities and potential outcomes become infinite.

*Free Form (3/3) – Red & Green*, 3.5 x 3.5 inches, embroidery floss, Aida cloth, 2021

Inside the Studio
Video Sound Archive
Work in Progress - Funded Art Book Project
Open Call for Anonymous Stories - Deadline June 30

Inside the Studio

Last week I took some long overdue portraits in my studio. I wanted to photograph myself amongst my art and some of the tools I use while embroidering/knitting. On the walls you can see works from my thesis exhibition, Glitch Series, and System Failure series. On the floor is Ouroboros (which I like to refer to as my big ball of yarn) and to the left is the wooden French Knitting loom that I use to re-knit finger knitted strands of yarn.

I have two embroidery stands in my studio. The first one has a rectangular frame and currently holds my ongoing work in progress Stitching Loose Ends. The second one functions more like a clamp stand, which means it can hold various types of frames. In the photographs, you can see it is clamping an embroidery hoop for cross-stitching the handkerchief patterns for my art book project. In another photograph, I am sitting in a wingback chair with a granny square afghan and arm rest covers that I crocheted myself (with a little help from my mom for the covers).

Video Sound Archive

Starting on June 4 @pm ET my video project Part 2: What Happens to a Stressed System? will be part of the first season of featured artists for a virtual video exhibition Video Sound Archive.

Work in Progress - Funded Art Book Project

Last month I continued to tirelessly cross-stitch patterns of handkerchief scans for my art book project. I have completed cross-stitching six of the nine patterns. Only three more to go and I should finish them by the end of June! Then I will begin working on the layout of the art book using InDesign.

Open Call for Anonymous Stories - Deadline June 30

Reminder that I will be accepting submissions for stories till the end of June. Everyone is welcome to submit their experience of having to hide their emotional/physical pain in order to avoid pity or shame for being too sensitive. Please also feel free to share!

My 1-Month residency at the Vermont Studio Center feels like a dream that I wish I had never woken up from! A soon as I had arrived, I knew that I was going to be part of something spectacular. The creative energy was abundant and buzzing amongst the 55+ artists and writers, as soon as we stepped foot onto the “campus”. We all fed off of this positive vibe and took it as a motivator to be productive in our own unique ways.

Church Studios, Vermont Studio Center, Johnson, VT, September 2019 — *Church Studios*, Vermont Studio Center, Johnson, VT, September 2019

Most of my time in Vermont was spent in my studio, located in Church Studios. The building was newly renovated due to a recent fire. I was extremely happy with my studio space and the beautiful natural light that came with the tall church windows. I immediately went to work and was determined to be productive. What would’ve taken me 2 months to complete back at home (during the spare hours of weekday evenings and weekends), only took me 2 weeks while at the residency. I’m thrilled with the amount of progress I made on this new body of work and I only wish I could’ve stayed at the residency longer!

Photo of the studio before the work began.

On Day 1, I started off by unpacking my paint squares from my Paint by Numbers series. The patterns were pre-planned as I had picked all the squares a couple days before my departure. By doing this I only brought the supplies that were necessary to make the projects I planned to work on during the residency.

Bottom left is the notebook where I sketched out each pattern for the paintings I planned to make while in Vermont.

Each painting stacked and held together with elastic bands.

I pre-planned nine patterns for the Paint by Numbers Series, however, in the end I only ended up finishing three (the two on the left and the middle painting). I ended up splitting time evenly between this series and the Translation Series. — I pre-planned nine patterns for the *Paint by Numbers Series*, however, in the end I only ended up finishing three (the two on the left and the middle painting). I ended up splitting time evenly between this series and the *Translation Series.*

After I finished unpacking, I started off by cross-stitching the first translation,Translation #1, from the Translation Series.

Translation Series paintings pre-planned and laid out on a window sill. — *Translation Series* paintings pre-planned and laid out on a window sill.

Starting to cross-stitch Translation #1 using a Stitch Fiddle pattern on my laptop, created using a scan of the hand-stitched painting. — Starting to cross-stitch *Translation #1* using a Stitch Fiddle pattern on my laptop, created using a scan of the hand-stitched painting.

Detail shot of Translation #1 cross-stitch in progress. — Detail shot of *Translation #1* cross-stitch in progress.

I was thrilled at how quickly I was able to get Translation #1 - Cross-Stitch finished. I figured out that I could get 1/4 complete in a day, which meant that I could complete a cross-stitch this size in 4 days if I put in 6-6.5 hours per day (something I could never do while at home). Before I started the next cross-stitch, I started working on the the first stitched painting, Pattern A.

Translation #1 - Paint By Numbers, 2019, acrylic, canvas, embroidery floss, 4 x 4 inches and Translation #1 - Cross-Stitch, 2019, embroidery floss, Aida cloth, 6 x 6 inches — *Translation #1 - Paint By Numbers,* 2019, acrylic, canvas, embroidery floss, 4 x 4 inches and *Translation #1 - Cross-Stitch*, 2019, embroidery floss, Aida cloth, 6 x 6 inches

Pattern A in progress, back view. — *Pattern A* in progress, back view.

Pattern A in progress, front view. — *Pattern A* in progress, front view.

Once I finished sewing Pattern A, I completed Translation #2 - Paint By Numbers and brought out the iron to get things that were done looking crisp and flat. After these were ironed and scanned, I started prepping the cross-stitch pattern for Translation #2 and planned out the embroidery floss colours.

Everything ironed, sitting on a stool in my studio, before I packed things up and took them to the lounge to be scanned.

Pattern A, 2019, acrylic, canvas, embroidery floss, 9.5 x 9.5 inches — *Pattern A*, 2019, acrylic, canvas, embroidery floss, 9.5 x 9.5 inches

Planning out colours for Translation #2 - Cross-Stitch — Planning out colours for *Translation #2 - Cross-Stitch*

As I continued to cross-stitch, I was starting to realize that I had not packed enough blue and green embroidery floss. I knew I had to buy more, but there wasn’t anywhere in Johnson, VT that sold embroidery floss. An employee from the residency suggested that I post something on the local neighbourhood forum. Within 1-day I was able to source a local resident who was willing to donate a beautiful stash of embroidery floss from her personal collection. She insisted that I take as much as I like, although I still had to restrain myself from taking too much. Afterwards it had started to rain and she kindly gave me a ride back into the main part of town (I had walked 20 min on the way there). I definitely hit the jackpot with this one and I’ll never forget this women’s generous offering!

Amazing stash of embroidery floss donated by a local Johnson, VT resident.

Presenting at “Res Pres”, talking about the Glitch Series. — Presenting at “*Res Pres*”, talking about the *Glitch Series*.

At the end of the first week, I signed up for the Resident Presentations and gave a Pecha Kucha style artist talk (20 slides, 20 seconds each, 7 minutes total). Each week artists and writers shared their work both past and present. It was truly inspirational and insightful to hear everyone talk about their processes and ideas/concepts behind the work they create.

Translation #2 - Cross-Stitch (Detail) — *Translation #2 - Cross-Stitch* (Detail)

Pattern B, work in progress — *Pattern B,* work in progress

During the second week, I worked hard on completing Translation #2 - Cross-Stitch and Pattern B. As I was working on these simultaneously, I also began to think about the next stage of the Translation Series and went to the local art store to buy some supplies. I purchased 2 yards of raw canvas and acrylic gouache paint, which I’d been meaning to get around to trying! I usually only ever paint with acrylic paint and the occasional water colour.

Studio Store, the local art supply store was right across the street from my studio. — *Studio Store*, the local art supply store was right across the street from my studio.

Laying out the 2 yards of raw canvas I purchased, so that I could cut it into 20 x 20 inch squares.

Translation #2 - Cross-Stitch, 2019, embroidery floss, Aida cloth, 6 x 6 inches — *Translation #2 - Cross-Stitch,* 2019, embroidery floss, Aida cloth, 6 x 6 inches

Pattern B (back view), 2019, canvas, embroidery floss, graphite, 9.5 x 9.5 inches — *Pattern B* (back view), 2019, canvas, embroidery floss, graphite, 9.5 x 9.5 inches

Pattern B (front view), 2019, canvas, embroidery floss, graphite, 9.5 x 9.5 inches — *Pattern B* (front view), 2019, canvas, embroidery floss, graphite, 9.5 x 9.5 inches

After cutting up the raw canvas, I stapled a few pieces to the walls of my studio and primed them with gesso. Then I began testing out how I was going to paint by measuring and taping out, as precisely as possible, each square. Once I was comfortable with how the test was going, I moved onto preparing the canvas by measuring and numbering each column and row, which took a lot of concentration and patience. Finally I was ready to paint! During each “round” there were 64 squares exposed at a time, which I calculated to take me an average of 45 mins.

Testing out how to use painter’s tape to paint small 0.5 inch squares one at a time.

Canvas fully prepped with all the columns and rows numbered.

After taping off the canvas, 64 1/2 inch squares were exposed at one time. To the left of the canvas is the cross-stitch pattern I followed to do the painting.

On Thursday, we had our first evening of Open Studios which was an amazing night of walking around to all the studios and seeing the hard work that everyone had created so far. See below for a slideshow of photos from the night.

My Studio

On the weekend, I was feeling a little burnt out from all my hard work and walking around from Open Studios. My friend Lauren and I went for a walk to explore our natural surroundings and take photos (slideshow below). Then in the evening we stayed in, ate junk food, and watched a movie.

The following week, I started to rotate between three different stations in my studio: 1. Sewing Paint Squares, 2. Cross-Stitching, 3. Painting Squares.

I also volunteered to have my saliva swabbed at Lauren’s pop up clinic in her studio. Click here to learn more about her Plasticization Clinic. I filled out a medical form, gave her a swab of my DNA, and she took my photo. Now I’m “in the system” as… — I also volunteered to have my saliva swabbed at Lauren’s pop up clinic in her studio. Click here to learn more about her Plasticization Clinic. I filled out a medical form, gave her a swab of my DNA, and she took my photo. Now I’m “in the system” as part of the archive for her project!

Lauren and I also decided to go for another walk and we finally found “Journey’s End”, a trail that lead to a small waterfall. See slideshow below for photos taken during our nature walk and some other photos of Johnson, VT.

As the residency was starting to come to a close, I worked hard to finish the three works I had in progress. My goal was to finish the cross-stitch, the hand-stitched painting and the small test paintings all in time for the last Open Studio.

Translation #3 - Cross-Stitch, work in progress. — *Translation #3 - Cross-Stitch*, work in progress.

Translation #1 - Gouache Painting, work in progress. — *Translation #1 - Gouache Painting*, work in progress.

Lauren had to leave a couple days early to get back to NY for a class she was teaching, so we decided to revisit a restaurant in a nearby town called Stowe, for some delicious pizza from “Pie-casso” as a little farewell dinner.

The last couple of days I spent wrapping up my projects and working on submissions for various exhibitions and publications.

Translation #1 - Gouache Painting, 2019, gouache, canvas, 10 x 10 inches — *Translation #1 - Gouache Painting*, 2019, gouache, canvas, 10 x 10 inches

Translation #3 - Cross-Stitch, 2019, embroidery floss, Aida cloth, 6 x 6 inches — *Translation #3 - Cross-Stitch*, 2019, embroidery floss, Aida cloth, 6 x 6 inches

Untitled, work in progress — *Untitled*, work in progress

After finishing my projects, I cleaned up my studio and hung all of my finished pieces on the walls for the second round of Open Studios.

Translation #2 - Paint By Numbers, 2019, acrylic, canvas, embroidery floss, 4 x 4 inches and Translation #2 - Cross-Stitch, 2019, embroidery floss, Aida cloth, 6 x 6 inches — *Translation #2 - Paint By Numbers,* 2019, acrylic, canvas, embroidery floss, 4 x 4 inches and *Translation #2 - Cross-Stitch*, 2019, embroidery floss, Aida cloth, 6 x 6 inches

Translation #3- Paint By Numbers, 2019, acrylic, canvas, embroidery floss, 4 x 4 inches and Translation #3 - Cross-Stitch, 2019, embroidery floss, Aida cloth, 6 x 6 inches — *Translation #3- Paint By Numbers,* 2019, acrylic, canvas, embroidery floss, 4 x 4 inches and *Translation #3 - Cross-Stitch*, 2019, embroidery floss, Aida cloth, 6 x 6 inches

Pattern C (front view), 2019, canvas, embroidery floss, graphite, 19.5 x 19.5 inches — *Pattern C* (front view), 2019, canvas, embroidery floss, graphite, 19.5 x 19.5 inches

Pattern B (back view), 2019, canvas, embroidery floss, graphite, 19.5 x 19.5 inches — *Pattern B* (back view), 2019, canvas, embroidery floss, graphite, 19.5 x 19.5 inches

Installation shot, Open Studios, Vermont Studio Center, Johnson, VT, 2019 — *Installation shot*, Open Studios, Vermont Studio Center, Johnson, VT, 2019

Untitled, 2019, gouache, canvas, 2.5 x 2.5 inches (each square) — *Untitled*, 2019, gouache, canvas, 2.5 x 2.5 inches (each square)

Untitled (Left), 2019, gouache, canvas, 2.5 x 2.5 inches (each square), Pattern B (Middle), 2019, canvas, embroidery floss, graphite, 9.5 x 9.5 inches, Pattern A (Right), 2019, canvas, embroidery floss, graphite, 9.5 x 9.5 inches — *Untitled* (Left), 2019, gouache, canvas, 2.5 x 2.5 inches (each square), *Pattern B* (Middle), 2019, canvas, embroidery floss, graphite, 9.5 x 9.5 inches, *Pattern A* (Right), 2019, canvas, embroidery floss, graphite, 9.5 x 9.5 inches

More photos from Open Studios round #2.

The last day of the residency was spent packing and cleaning up the studio, as well as saying goodbye to the space, Johnson, and the wonderful people I met along the way. I hope to return to the Vermont Studio Center someday and I’ll definitely be looking to do other residencies in the near future!

November 2021 - Update

June 2021 - Update

Inside the Studio

Video Sound Archive

Work in Progress - Funded Art Book Project

Open Call for Anonymous Stories - Deadline June 30

Vermont Studio Center - Artist Residency

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