behind the scenes

February 2022 - Update

  • New private art studio!

  • New work - Uncanny Cross-Stitch (3)


Back at the beginning of January, I moved into my first private art studio space! The City Centre Artist Lodge is an old hotel that’s been converted into an artist studio building. This first month was mainly spent sprucing things up (as you can see from the before photos, there was some much needed TLC). Due my recent arm injury I needed to hire someone to do the labour of removing the carpet and painting. But I have to say it’s definitely improved and I’m so happy with how it’s already starting to come together! The past few weekends my focus has been accumulating the necessary furniture and putting it all together. But I’m very excited for this week since I’m hoping to start moving over some of my art and supplies! Once I have things better set up, I’ll start creating/working from there and share more from behind the scenes in my new space.


Lastly, this weekend I finished Uncanny Cross-Stitch (3) to wrap up a new series of three works. These works will be included in a solo exhibition planned for 2023 titled Womanmade: Crafting Architecture and the Mundane.

Uncanny Cross-Stitch (3), 7 x 5.5 inches, embroidery floss, Aida cloth, 2022

June 2021 - Update

  • Inside the Studio

  • Video Sound Archive

  • Work in Progress - Funded Art Book Project

  • Open Call for Anonymous Stories - Deadline June 30


Inside the Studio

Last week I took some long overdue portraits in my studio. I wanted to photograph myself amongst my art and some of the tools I use while embroidering/knitting. On the walls you can see works from my thesis exhibition, Glitch Series, and System Failure series. On the floor is Ouroboros (which I like to refer to as my big ball of yarn) and to the left is the wooden French Knitting loom that I use to re-knit finger knitted strands of yarn.

I have two embroidery stands in my studio. The first one has a rectangular frame and currently holds my ongoing work in progress Stitching Loose Ends. The second one functions more like a clamp stand, which means it can hold various types of frames. In the photographs, you can see it is clamping an embroidery hoop for cross-stitching the handkerchief patterns for my art book project. In another photograph, I am sitting in a wingback chair with a granny square afghan and arm rest covers that I crocheted myself (with a little help from my mom for the covers).


Video Sound Archive

Starting on June 4 @pm ET my video project Part 2: What Happens to a Stressed System? will be part of the first season of featured artists for a virtual video exhibition Video Sound Archive.

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Work in Progress - Funded Art Book Project

Last month I continued to tirelessly cross-stitch patterns of handkerchief scans for my art book project. I have completed cross-stitching six of the nine patterns. Only three more to go and I should finish them by the end of June! Then I will begin working on the layout of the art book using InDesign.


Open Call for Anonymous Stories - Deadline June 30

Reminder that I will be accepting submissions for stories till the end of June. Everyone is welcome to submit their experience of having to hide their emotional/physical pain in order to avoid pity or shame for being too sensitive. Please also feel free to share!


 
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May 2018 - Update

RAW: Vancouver

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Thanks to everyone who showed up to support me at the RAW: Vancouver showcase back in April. For those of you who couldn't make it, don't worry there's always next time! The event was a success and I definitely learned some valuable business skills while preparing for the show, setting up, tearing down, and of course throughout the night while interacting with lovers of art and newbies alike! I love hearing everyone's opinions and reactions to my work. It is especially interesting getting feedback and unique perspectives outside of an academic setting (this is still fairly new for me). Please check out a selection of photos from the event below, taken by the official photographers, Mike Chen Photography and Evan Chen Photography.

Paint by Numbers Series

Watch me choose the next set of squares for Pattern #2, which is part of the "Paint by Numbers Series". The series of quilted paintings, further explore ideas from my thesis "I Come From a Long Line of Machines".

Settling In to My Vancouver Apartment/Studio

A week or so ago, I finally hunkered down and spent a day hanging my art onto my walls. My apartment now feels like a mini gallery of my work and it feels a lot more like home. It's also starting to feel more like a studio and a space where I can be inspired to continue to create on a constant basis. Instead of looking at blank walls, I look up and I can see a timeline of my art over the past several years. This inspires me to keep going and to assess where do I go from here? What do I want to make now? 

There are days when I'm not sure what project to work on and sometimes I question why I'm spending every spare moment of my time on art. But when I look around my space and remember how far I've come and how hard I've worked on my art, it pushes me to keep on moving forward. I've been reading "In the Company of Women" by Grace Bonney and it's reminding that being a creative individual is hard work, and it takes time, patience, and perseverance. These are things I struggle to often remember, but I'm doing my best to be present in the moment and enjoy the journey. I have to keep reminding myself that every artist starts somewhere and I'm just at the cusp of being an emerging artist. Patience doesn't always come easily to me, but it's something I'm working on. Like a muscle, I know it'll get stronger with more exercise.