April 2021 - Update

I finally finished the second Gouache painting from the Translation Series I started at the Vermont Studio Center back in 2019. I still have seven more paintings to complete. The process is definitely slow and steady, but I’m making progress!

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Translation #2 - Gouache Painting, 2021, Gouache on canvas, 10 x 10 inches

I spent the rest of the month getting organized to start the art book project funded by the Canada Council for the Arts. I went out and got an extra large calendar that I’ve colour-coded in order to stay on schedule for completing the project. I’ve also purchased all the supplies and equipment I need and can’t wait to get started!

Last weekend I ironed and scanned the handkerchiefs. This week I’ll be converting one of the scans into a cross-stitch pattern. Over the long weekend I’m planning to get started on the first cross-stitch. Let the cross-stitching begin!

January 2021 - Update

Well it’s been one hell of a year and I’m happy to finally say goodbye to 2020. COVID aside, this past year actually allowed me more time in the studio and there are things that I’m happy to say I’m proud of. This year I submitted my first Canada Council for the Arts grant application (pending results by end of February), I participated in my first virtual exhibition, and I read several books, not only for research, but also for my own personal enjoyment.

I took a much needed hiatus from September - December 2020, since it’s always busiest time of year for my job. I now feel rejuvenated and ready to get back into the studio. I spent my most of my holidays cross-stitching, painting, and jotting down ideas in my sketchbook. Sometimes the hardest thing for me to do is to settle on the idea(s) I should execute and which ones I should leave behind.

I finished the third and final piece from the System Failure series. Overall I’m really happy with how the series came together. All three pieces may stand alone, each with a unique colour palette and various levels of “completion”. The cross-stitch patterns are based off of digital glitch images that have been disrupted or “glitched”. The series is a representation of a “glitch within a glitch”. However, the glitched or unfinished cross-stitch is a forced visual that alludes to a machine error or malfunction.

System Failure 03, 8x10 inches, embroidery floss, Aida cloth, 2020

I finally finished a series of paintings (currently untitled), that I originally started while I was an artist in residence at the Vermont Studio Center (in September 2019). They were only meant to be tests while I was trying out the painting technique I ended up using for the Translation Series that I also began in Vermont. The paintings were painted square by square, section by section, using tape to mask out various areas at a time.

Untitled #1

2019 ⁠
Gouache on canvas⁠
2.5x2.5 inches ⁠

Untitled #2

2019 ⁠
Gouache on canvas⁠
2.5x2.5 inches ⁠

Untitled #3

2019 ⁠
Gouache on canvas⁠
2.5x2.5 inches ⁠

Untitled #4

2019 ⁠
Gouache on canvas⁠
2.5x2.5 inches ⁠

Untitled #5

2019 ⁠
Gouache on canvas⁠
2.5x2.5 inches ⁠

Untitled #6

2019 ⁠
Gouache on canvas⁠
2.5x2.5 inches ⁠

Untitled #7

2020
Gouache on canvas⁠
2.5x2.5 inches ⁠

Untitled #8

2020
Gouache on canvas⁠
2.5x2.5 inches ⁠

Untitled #9

2020
Gouache on canvas⁠
2.5x2.5 inches ⁠

Lastly I spent time on Stitching Loose Ends, an ongoing project that I started back in 2018. I used up all the loose ends lying around my apartment, which I guess means I need to get going on another cross-stitch project! I also finished another row on the second painting from the Translation Series. I’ve been making slow progress on this series since the process is quite tedious with all the tape masking. One day I’ll have a studio where I can have the painting out at all times and work on it in little spurts while taking breaks from other projects. Currently I don’t have that luxury and it takes a lot more motivation to get a painting station all set up in my apartment.

Looking forward to seeing what’s in store for 2021.

Happy New Year!

Vermont Studio Center - Artist Residency

My 1-Month residency at the Vermont Studio Center feels like a dream that I wish I had never woken up from! A soon as I had arrived, I knew that I was going to be part of something spectacular. The creative energy was abundant and buzzing amongst the 55+ artists and writers, as soon as we stepped foot onto the “campus”. We all fed off of this positive vibe and took it as a motivator to be productive in our own unique ways.

Church Studios, Vermont Studio Center, Johnson, VT, September 2019

Most of my time in Vermont was spent in my studio, located in Church Studios. The building was newly renovated due to a recent fire. I was extremely happy with my studio space and the beautiful natural light that came with the tall church windows. I immediately went to work and was determined to be productive. What would’ve taken me 2 months to complete back at home (during the spare hours of weekday evenings and weekends), only took me 2 weeks while at the residency. I’m thrilled with the amount of progress I made on this new body of work and I only wish I could’ve stayed at the residency longer!

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Photo of the studio before the work began.

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The calm before the storm.

On Day 1, I started off by unpacking my paint squares from my Paint by Numbers series. The patterns were pre-planned as I had picked all the squares a couple days before my departure. By doing this I only brought the supplies that were necessary to make the projects I planned to work on during the residency.

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Bottom left is the notebook where I sketched out each pattern for the paintings I planned to make while in Vermont.

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Each painting stacked and held together with elastic bands.

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I pre-planned nine patterns for the Paint by Numbers Series, however, in the end I only ended up finishing three (the two on the left and the middle painting). I ended up splitting time evenly between this series and the Translation Series.

After I finished unpacking, I started off by cross-stitching the first translation,Translation #1, from the Translation Series.

Translation Series paintings pre-planned and laid out on a window sill.

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Starting to cross-stitch Translation #1 using a Stitch Fiddle pattern on my laptop, created using a scan of the hand-stitched painting.

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Detail shot of Translation #1 cross-stitch in progress.

I was thrilled at how quickly I was able to get Translation #1 - Cross-Stitch finished. I figured out that I could get 1/4 complete in a day, which meant that I could complete a cross-stitch this size in 4 days if I put in 6-6.5 hours per day (something I could never do while at home). Before I started the next cross-stitch, I started working on the the first stitched painting, Pattern A.

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Translation #1 - Paint By Numbers, 2019, acrylic, canvas, embroidery floss, 4 x 4 inches and Translation #1 - Cross-Stitch, 2019, embroidery floss, Aida cloth, 6 x 6 inches

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Pattern A in progress, back view.

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Pattern A in progress, front view.

Once I finished sewing Pattern A, I completed Translation #2 - Paint By Numbers and brought out the iron to get things that were done looking crisp and flat. After these were ironed and scanned, I started prepping the cross-stitch pattern for Translation #2 and planned out the embroidery floss colours.

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Everything ironed, sitting on a stool in my studio, before I packed things up and took them to the lounge to be scanned.

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Pattern A, 2019, acrylic, canvas, embroidery floss, 9.5 x 9.5 inches

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Planning out colours for Translation #2 - Cross-Stitch

As I continued to cross-stitch, I was starting to realize that I had not packed enough blue and green embroidery floss. I knew I had to buy more, but there wasn’t anywhere in Johnson, VT that sold embroidery floss. An employee from the residency suggested that I post something on the local neighbourhood forum. Within 1-day I was able to source a local resident who was willing to donate a beautiful stash of embroidery floss from her personal collection. She insisted that I take as much as I like, although I still had to restrain myself from taking too much. Afterwards it had started to rain and she kindly gave me a ride back into the main part of town (I had walked 20 min on the way there). I definitely hit the jackpot with this one and I’ll never forget this women’s generous offering!

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Amazing stash of embroidery floss donated by a local Johnson, VT resident.

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Presenting at “Res Pres”, talking about the Glitch Series.

At the end of the first week, I signed up for the Resident Presentations and gave a Pecha Kucha style artist talk (20 slides, 20 seconds each, 7 minutes total). Each week artists and writers shared their work both past and present. It was truly inspirational and insightful to hear everyone talk about their processes and ideas/concepts behind the work they create.

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Translation #2 - Cross-Stitch (Detail)

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Pattern B, work in progress

During the second week, I worked hard on completing Translation #2 - Cross-Stitch and Pattern B. As I was working on these simultaneously, I also began to think about the next stage of the Translation Series and went to the local art store to buy some supplies. I purchased 2 yards of raw canvas and acrylic gouache paint, which I’d been meaning to get around to trying! I usually only ever paint with acrylic paint and the occasional water colour.

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Studio Store, the local art supply store was right across the street from my studio.

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Laying out the 2 yards of raw canvas I purchased, so that I could cut it into 20 x 20 inch squares.

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Translation #2 - Cross-Stitch, 2019, embroidery floss, Aida cloth, 6 x 6 inches

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Pattern B (back view), 2019, canvas, embroidery floss, graphite, 9.5 x 9.5 inches

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Pattern B (front view), 2019, canvas, embroidery floss, graphite, 9.5 x 9.5 inches

After cutting up the raw canvas, I stapled a few pieces to the walls of my studio and primed them with gesso. Then I began testing out how I was going to paint by measuring and taping out, as precisely as possible, each square. Once I was comfortable with how the test was going, I moved onto preparing the canvas by measuring and numbering each column and row, which took a lot of concentration and patience. Finally I was ready to paint! During each “round” there were 64 squares exposed at a time, which I calculated to take me an average of 45 mins.

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Testing out how to use painter’s tape to paint small 0.5 inch squares one at a time.

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Canvas fully prepped with all the columns and rows numbered.

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After taping off the canvas, 64 1/2 inch squares were exposed at one time. To the left of the canvas is the cross-stitch pattern I followed to do the painting.

On Thursday, we had our first evening of Open Studios which was an amazing night of walking around to all the studios and seeing the hard work that everyone had created so far. See below for a slideshow of photos from the night.

My Studio

On the weekend, I was feeling a little burnt out from all my hard work and walking around from Open Studios. My friend Lauren and I went for a walk to explore our natural surroundings and take photos (slideshow below). Then in the evening we stayed in, ate junk food, and watched a movie.

The following week, I started to rotate between three different stations in my studio: 1. Sewing Paint Squares, 2. Cross-Stitching, 3. Painting Squares.

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Station 1 - Sewing Paint Squares

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Station 2 - Cross-Stitching

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Station 3 - Painting Squares

I also volunteered to have my saliva swabbed at Lauren’s pop up clinic in her studio. Click here to learn more about her Plasticization Clinic. I filled out a medical form, gave her a swab of my DNA, and she took my photo. Now I’m “in the system” as part of the archive for her project!

Lauren and I also decided to go for another walk and we finally found “Journey’s End”, a trail that lead to a small waterfall. See slideshow below for photos taken during our nature walk and some other photos of Johnson, VT.

As the residency was starting to come to a close, I worked hard to finish the three works I had in progress. My goal was to finish the cross-stitch, the hand-stitched painting and the small test paintings all in time for the last Open Studio.

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Translation #3 - Cross-Stitch, work in progress.

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Translation #1 - Gouache Painting, work in progress.

Lauren had to leave a couple days early to get back to NY for a class she was teaching, so we decided to revisit a restaurant in a nearby town called Stowe, for some delicious pizza from “Pie-casso” as a little farewell dinner.

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The last couple of days I spent wrapping up my projects and working on submissions for various exhibitions and publications.

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Translation #1 - Gouache Painting, 2019, gouache, canvas, 10 x 10 inches

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Translation #3 - Cross-Stitch, 2019, embroidery floss, Aida cloth, 6 x 6 inches

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Untitled, work in progress

After finishing my projects, I cleaned up my studio and hung all of my finished pieces on the walls for the second round of Open Studios.

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Translation #1 - Paint By Numbers, 2019, acrylic, canvas, embroidery floss, 4 x 4 inches and Translation #1 - Cross-Stitch, 2019, embroidery floss, Aida cloth, 6 x 6 inches

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Translation #2 - Paint By Numbers, 2019, acrylic, canvas, embroidery floss, 4 x 4 inches and Translation #2 - Cross-Stitch, 2019, embroidery floss, Aida cloth, 6 x 6 inches

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Translation #3- Paint By Numbers, 2019, acrylic, canvas, embroidery floss, 4 x 4 inches and Translation #3 - Cross-Stitch, 2019, embroidery floss, Aida cloth, 6 x 6 inches

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Pattern C (front view), 2019, canvas, embroidery floss, graphite, 19.5 x 19.5 inches

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Pattern B (back view), 2019, canvas, embroidery floss, graphite, 19.5 x 19.5 inches

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Installation shot, Open Studios, Vermont Studio Center, Johnson, VT, 2019

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Installation shot, Open Studios, Vermont Studio Center, Johnson, VT, 2019

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Untitled, 2019, gouache, canvas, 2.5 x 2.5 inches (each square)

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Untitled (Left), 2019, gouache, canvas, 2.5 x 2.5 inches (each square), Pattern B (Middle), 2019, canvas, embroidery floss, graphite, 9.5 x 9.5 inches, Pattern A (Right), 2019, canvas, embroidery floss, graphite, 9.5 x 9.5 inches

More photos from Open Studios round #2.

The last day of the residency was spent packing and cleaning up the studio, as well as saying goodbye to the space, Johnson, and the wonderful people I met along the way. I hope to return to the Vermont Studio Center someday and I’ll definitely be looking to do other residencies in the near future!

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