pattern

April 2022 - Update

  • Grant Project Update - Becoming a Pixel

  • Vancouver Cityscape (mixed media textile project)

  • Cross-stitch on 23 inch embroidery hoop

  • 30th Birthday & Debt Free

Grant Project Update - Becoming a Pixel

This week marked the start of my next grant project. Huge thanks and photo credit goes to Ivana Djordjevic for taking some beautiful portraits (I'll be sharing more shots from the studio, but you'll have to wait patiently to see those)!

Yesterday morning, I uploaded this photo into StitchFiddle.com to create the pattern I am using to cross-stitch the first portrait from my "Becoming a Pixel" series.

I'm so excited to work on this project and of course I need to make a special shout out to the Canada Council for the Arts for their support in funding this one.

Stay tuned with me on social media in the next couple of days, where I'll be sharing more of the process and behind the scenes.

Photo credit: Ivana Djordjevic - Ease Creative Inc.

Vancouver Cityscape (mixed media textile project)

I began working on a new mixed media textile project which I’m creating specifically for a solo exhibition in February 2023, in Mt. Pleasant Michigan. The theme of the show is “crafted” architecture and I’ll be showing works that feminize masculine imagery through the use of traditional feminine craft processes. I will be constructing a Vancouver cityscape using only textiles and fibres with a combination of hand sewing, machine sewing, crochet, cross-stitch and free hand embroidery. So far the process has been very experimental and I’ve pretty much just been taking it one step at a time and seeing where it takes me.

The first part of the process was taking photographs of the city line and digitally collaging various images of the industrial urban environment. Once I finished this digital collage, I projected the image onto a large piece of craft canvas and sketched the outline of the city using pencil.

Next I had to re-familiarize myself with how to use a sewing machine since it’s been over ten years since I’ve used one (not since high school)! I purchased a second hand sewing machine through Facebook Marketplace. I quickly read the manual and started doing some tests on scraps of fabric. From there it took a little guts and courage to take the leap into sewing with the machine on my large canvas, overall I’m satisfied with how the city outline turned out.

I also started to experiment with free-hand embroidery, which is very new to me! As most of you probably know, cross-stitching has been my main medium of choice for the past several years. So getting out of the structure of the grid and being a little more free with my stitches has been very relaxing and fun to say the least (don’t get me wrong, I still love and prefer to cross-stitch). In the end, the analytical part of my brain is too strong to give into free-hand embroidery over cross-stitching. Trust me it’s just not going to happen.

As I moved onto the next stage of the project I knew I wanted to incorporate fabric, but wasn’t exactly sure how I would do it. I sorted through a box of scraps that my mom delivered to my studio a few days before getting started on the project. I separated similar colours together and landed on three different patterned fabrics in a blue colour scheme. I cut them into two inch strips and started to pin them onto my canvas. Voila! Just like that, I started to visualize the progression of the project!

After pinning the strips, I went straight to the machine and sewed my fabric buildings onto the canvas. With the spaces in between I wanted to use a variety of fibre mediums and so I planned out the layout of the fibre buildings in my sketchbook. I headed to Michaels and purchased a few skeins of yarn which could be used for the project. Then I got started on crocheting building strips in two different shades of blue.

A lot came together for this project in the span of just a few days, but I’m really happy with where it’s going so far! Sad to say that for now the progress on this project is going to slow down as I focus on my grant project and another new large cross-stitch project which I’m making for my show in Sechelt this October 2022.

Cross-stitch on 23 inch embroidery hoop

This large 23 inch embroidery hoop project will also be taking a back burner position for most of this year. Expect to see very slow progression on this one, as it’s for my solo show in Fort Wayne, Indiana in May 2023.

30th Birthday & Debt Free

A few weeks ago I celebrated two big milestones. The first was my 30th birthday, which was a day filled with pampering. The day included a massage, a pedicure and a fabulous dinner with my best friend Mara, at The Botanist at the Fairmont Pacific Rim, served by my wonderful cousin Avital!

That same day I made the final payment on my student loans, which is a huge accomplishment and weight off my shoulders. I went to post-secondary directly out of high school and was a full-time university student for seven years straight (four years of which I was also a student athlete). I didn’t have enough time to work a steady job with a steady income.

After graduating with my MFA I found myself a job in Vancouver (with SAXX) which paid salary and I was determined to pay off my loans. Four and a half years later, I did it and I’m thrilled to finally be debt free! Cheers!

Horror Vacui - Exhibition Documentation

Earlier this year I was in a group exhibition at Deer Lake Gallery, in Burnaby, called "Horror Vacui". The show included myself, as well as two fellow UFV BFA grads, Kendra Schellenberg, and Julie Epp.

For those of you who were unable to make it out to see the exhibition in person, here are some documentation photos of the exhibition. 

Glitch Series 01

Since returning home after the completion of my MFA thesis I've been taking it pretty easy and trying to allow myself some sort of break. I've recently completed a new project titled Glitch Series 01, which involved converting a series of digital image glitches (sourced from images generated in Photoshop) into a cross-stitch pattern which was then completed as a cross-stitch work. 

The images used for this project were a series of glitches that occurred one day while I was working on another project in Photoshop. The file that I opened did not appear the way that it was supposed to, instead it was a collaged mashup of several files which I had opened within the past week or so. Instead of dismissing this unexpected moment as a computer failure, I accepted it as a gift. It was as if the computer had gotten frustrated with the overwhelming amount of information and data I had given it within a short span of time and this was its way of materializing that frustration. The computer had spoken and I wanted to savour every last moment of it that I could. 

I proceeded to save and alter these strange glitches that reloaded and occurred each time I saved the file. I adjusted the curves and colourations of some of the images before saving them, in order to enhance the artistic, almost painterly qualities. In the moment it was a highly energized, playful interaction, a constant wave of communication that fluctuated between myself and the computer.

I stored these glitch images in a folder on my hard drive, unsure of my future plans for them. It wasn't until I began integrating cross-stitching into my thesis projects that I realized this is what the glitch series would become. 

I selected 9 cropped sections (below) of the single glitch image (above) to create a series of images that would then be converted into a series of cross-stitches. 

The 9 selected images above were then uploaded onto a website called StitchFiddle.com, where they were converted into cross-stitch patterns. Below are the resulting cross-stitched works.

Each piece is approximately 3.5" x 3.5". I'm still working out the kinks for final display but currently my plan is to frame each digital image with its corresponding cross-stitch partner in a 20" x 20" frame with a double window matte. Below is a rough mock-up of what each of the final pieces will look like framed. 

This project evolved and developed over a long period of time, but I am extremely happy with the results. I wouldn't be surprised if I continue doing more cross-stitch works with a digital aesthetic in the future. 

Summer MFA Studio Progress

Although I am home in BC for the summer and trying to have as much of a "summer break" as possible, I am still expected to continue working on my MFA studio work and thesis. This is a look into the work I have been creating over the summer. 

First I began by creating source images based on three themes or areas of focus. In my last blog I shared images of the first theme "Leaves/Nature". The other two themes I've been working on are "Ocean Life" and "The Human Body". 

Below are the drawings/paintings I created from referencing a documentary film on ocean life.  

Below are drawings/paintings I created by referencing my Human Anatomy textbook from University. 

With these source images I finally began to work back into Photoshop to create digitally produced works of art.

Below I will show the source images first and then the resulting digital artworks that have been formed from the initial image. 

Tulip Tree Leaf

Puffer Fish

Leg Muscles and Bones

Deltoid Muscles

Fish (no reference)

Coleus Leaf

Abstract (No theme)

It's been an interesting experiment trying to incorporate more specific reference images into my source drawings. There are aspects that I find pleasantly surprising, but mostly I find myself falling back to my comfort zone of abstraction. When I create abstract works its seems less straining and forced. I feel that my best works are those that flow naturally from within and are created based off an intuitive process, which I find is a much more relaxing and easing approach. 

End of Semester Critique

Yesterday I had my final critique of the first year of the MFA program at U of M. I installed new work I had made since my midterm critique in one room, and I installed the work that I made in the first half of the semester inside of my studio.

 

Staying within the medium of digital art, I've been pushing myself even further with this new approach. I am using the computer to make complex patterns from drawings, paintings, and photographs. There are multiple layers with varying degrees of transparency. Sometimes I cut and paste sections into random places on the image or I delete sections altogether. My process has become very collage based and I like to recycle old works into new ones. My practice continues to surprise me and it is in a constant state of transformation and development. 

I'm so happy with the work that I have produced during my time in the MFA program. I never could have imagined this is what my art would look like. One of the most valuable things that I've learned this year is that artists need to take chances and try new things. I believe that this is the only way artists truly reach their full potential.

I'm excited to return home in 9 days! I can't wait to spend time with friends and family. I'll be working several jobs including sports photography, coaching indoor and beach volleyball. The rest of my summer will be spent playing beach volleyball, hiking, running, biking, and making art.

From the Studio to the Computer: Making Patterns

This semester I've had two courses that have kept me very busy with lots of reading. To be honest I haven't spent a lot of time in the studio. This is also due to the fact that I've been creating a lot of work from home on my computer using Photoshop. But the day before open studios I found some time to be in my studio and play with all sorts of different materials and processes. I decided to use this spare time to let go, relax, have fun, and experiment with whatever I had lying around.

I had some pre-mixed paint that I had been storing in some old tupperware containers for a couple months and I was going to clean it up. I then proceeded to use paper towels to scoop out the old paint. But instead of throwing out the paint, I used the paper towel similar to the way I would use a sponge to apply texture to several sheets of bristol. I also mixed some paint with crackle paste medium and used a palette knife to create shapes and textures on cardboard and card-stock. Lastly I ripped a small piece of canvas and collaged it onto a sheet of stonehenge with some of the paint and crackle paste.

Although I was creating with little intention, in the back of my mind I knew that I would be able to use these small pieces as sources to create digital patterns. The next day when everything had dried I scanned all the images using a flatbed scanner at the school. Below are the patterns that I created using the above experiments. Each source image precedes the patterns that were produced using that image. 

Patterns really can be created out of anything and everything. The world is my oyster! I'm feeling so inspired these days and I don't see it ending any time soon! 

- Mal 

Pattern Frenzy

Sunday, November 29th: 

Pattern frenzy?! What does this mean?! Well I've been slightly more pattern obsessed than usual. It all started after one of my professors asked if I had ever thought of printing on fabric or creating wallpapers. That's when my mind went crazy I began making patterns in Photoshop with anything and everything that I had access to. So basically this meant making patterns from my paintings, drawings, and photographs. 

Fire Hose, 8x10", Silver gelatin print, 2015, Mallory Donen  

My first experiment began when I cut out a fire hose from a photograph I had taken with my 35mm camera. I decided to scan the image since I found that the shape left behind looked interesting and I wanted to make a pattern from it.  

Next I began making patterns using old photographs I had taken with my DSLR. 

Here you can see how two photographs taken with my 35mm camera were combined to make a single pattern. 

The next group of patterns were created using test strips from the darkroom. The test strips were then scanned and manipulated in Photoshop to produce the images below. 

Negative scratching can come in various forms, some examples may include literally scratching a film negative with a sharp tool such as a push pin, paper clip, or even a nail. However, painting or drawing onto a negative is also a form of negative scratching. The photographs below were created by painting india ink onto blank negatives. The ink cracked upon drying which created a unique and intriguing naturally occurring pattern. The images were then scanned and digitally manipulated in Photoshop to create various patterns. 

This next series of patterns were created using photographs from a new project titled Paper Sculpture series. 

Here's a set of patterns I created using these ink drawings/paintings. 

Untitled, 8x10", Ink and water-soluble pencils on rag paper, 2015, Mallory Donen

Untitled, 8x10", Ink and water-soluble pencils on rag paper, 2015, Mallory Donen

This photograph is of an object I created for my Print Media class in 2013. The sculpture was created with a styrofoam ball and pipe cleaners. I also used this image to create several patterns.