visual arts

Glitch Series 01

Since returning home after the completion of my MFA thesis I've been taking it pretty easy and trying to allow myself some sort of break. I've recently completed a new project titled Glitch Series 01, which involved converting a series of digital image glitches (sourced from images generated in Photoshop) into a cross-stitch pattern which was then completed as a cross-stitch work. 

The images used for this project were a series of glitches that occurred one day while I was working on another project in Photoshop. The file that I opened did not appear the way that it was supposed to, instead it was a collaged mashup of several files which I had opened within the past week or so. Instead of dismissing this unexpected moment as a computer failure, I accepted it as a gift. It was as if the computer had gotten frustrated with the overwhelming amount of information and data I had given it within a short span of time and this was its way of materializing that frustration. The computer had spoken and I wanted to savour every last moment of it that I could. 

I proceeded to save and alter these strange glitches that reloaded and occurred each time I saved the file. I adjusted the curves and colourations of some of the images before saving them, in order to enhance the artistic, almost painterly qualities. In the moment it was a highly energized, playful interaction, a constant wave of communication that fluctuated between myself and the computer.

I stored these glitch images in a folder on my hard drive, unsure of my future plans for them. It wasn't until I began integrating cross-stitching into my thesis projects that I realized this is what the glitch series would become. 

I selected 9 cropped sections (below) of the single glitch image (above) to create a series of images that would then be converted into a series of cross-stitches. 

The 9 selected images above were then uploaded onto a website called StitchFiddle.com, where they were converted into cross-stitch patterns. Below are the resulting cross-stitched works.

Each piece is approximately 3.5" x 3.5". I'm still working out the kinks for final display but currently my plan is to frame each digital image with its corresponding cross-stitch partner in a 20" x 20" frame with a double window matte. Below is a rough mock-up of what each of the final pieces will look like framed. 

This project evolved and developed over a long period of time, but I am extremely happy with the results. I wouldn't be surprised if I continue doing more cross-stitch works with a digital aesthetic in the future. 

One Semester Ends and Another Begins

Sorry for the delayed blog post, I know that I am behind by a couple of months. Life has been crazy lately and with the chaos of my school having a strike, it made for an interesting last semester. A couple of weeks ago I wrapped up my Fall semester with two critiques. 

My first critique was for my final Installation project for my elective course. I printed a series of fabric banners, which I then spent two full days hanging/installing with the help of my friend Katherine. I wanted to create an interactive installation that would encourage the viewer to navigate the space, interact, and investigate the all encompassing patterns. 

Next I had my main studio critique, which I forgot to document with my DSLR!!! However, I do still have some images I took with my phone of what I've been working on. I've been trying to create a range of works in which I use different types of machines and tools. I want to draw out the similarities between the ways that computers and artists make art.  

The first project is a woven blanket. I created a complex multilayered pattern in Photoshop and then sent the Jpeg file to a company called PhotoWeavers in North Carolina. The blanket is a jacquard woven throw blanket 53"x70". I am interested in how the results of the final image was almost entirely out of my control. I provided the source information and then the computer/machine generated this magnificently woven image.  

Next, I've been working on a cross-stitching project which I showed as a work in progress for the critique. I began by creating two small squares (19x19 squares), which were very precise, controlled, and spontaneously produced without following a pre-determined pattern. I scanned these two small squares and created digital images in Photoshop to help make a new pattern. I used a website called StitchFiddle to input these digital images, which generated them into cross-stitch patterns.

These new cross-stitch patterns are my guide for two new large squares (100x100 squares). I've been documenting the process by taking a photo after each day of work. I've also been timing each of my work sessions, I'm curious to see how long it will all take me. I've estimated that it will take approximately 125 hours and about 5 weeks. The images below show the development of the first large square over the span of about 2 weeks. If I'm lucky I think I might even finish it in a month! 

As I work on these cross-stitch works I feel like a computer. However, I make mistakes, which I guess is what makes me human. 

Lastly, are some more works in progress and some work I've already posted in a previous blog. These are my instructions works, in which I create a list of instructions before I begin creating a digital artwork in Photoshop. I must follow the instructions, however each instruction is often open to interpretation and can have a range of results. I've also been working on making a book that will demonstrate the range of imagery and possibilities that exist within these instruction works. 

This month I am going to be writing and further developing my thesis paper. At the same time I have several projects on the go including cross-stitching, a book project, as well as a yarn project! Stay tuned for more updates next month :).