portrait

September 2022 - Update

  • Glitch Streak

  • Becoming a Pixel

  • Books Open for 2023 Cross-Stitch Portrait Commissions

  • First Saturday - Open Studio: Saturday, Sept. 3, 12-5pm


Glitch Streak

I spent most of the summer working on this project, which is my largest cross-stitch piece to date. In total it took about 3.5 months and 182 hours of labour to complete! ⁠ ⁠Soon I'll be taking this in to a shop to get stretched and custom framed. This piece will be on display at my solo exhibition at Sunshine Coast Arts Council from Oct. 14 - Nov. 13.⁠

⁠ I'd love to continue to work on larger scale cross-stitch pieces, but it requires a lot of planning and prioritizing. I usually have so many ideas on the go or in my sketchbook that go unfinished or untouched just because I simply don't have enough time in the day. ⁠

I'll be working on smaller cross-stitch projects for the rest of the year, while my main focus will be working on my large mixed textile piece. You may have seen me low key working on this during the summer, it's another work I'm making for a solo exhibition in Michigan in February 2023. ⁠ ⁠


That’s a wrap on the Becoming a Pixel series! A huge shout out to Canada Council for the Arts I can’t thank them enough for their support with this project. I’m hoping to have the series framed soon and have plans to propose these for future exhibitions.


Books Open for 2023 Cross-Stitch Portrait Commissions

Over the past couple months many people have expressed interest in customized cross-stitch portraits and I’m happy to share that I’m opening my books for 2023. I know that may seem far away, but the reality is I need to start planning that far ahead so that I can schedule around my other projects, deadlines and exhibitions for next year. Spots will be limited, so book now!

Standard Size - 7”x7”

Small Size - 3.5”x3.5”

These are the two Portrait options I’m offering:

  1. Standard Size - $1200 ($500 deposit required to confirm booking)

    7”x7” cross-stitch

    16"x16” framed

    Fill out Google form/contract below to book commissions from May-December 2023 https://forms.gle/qMWm2NoGqaX8ggu56

    *Standard Size portraits are the same size the Becoming a Pixel series and provide the most detail/likeness to the individual*

  2. Small Size - $350 ($200 deposit required to confirm booking)

    3.5”x3.5” cross-stitch

    12”x12” framed

    Fill out Google form/contract below to book commissions from January-December 2023

    https://forms.gle/dEWSa1B2UmkLE2137

    *Small Size portraits have less detail/likeness to the individual and have a more pixelated aesthetic*


First Saturday - Open Studio: Saturday, Sept. 3, 12-5pm

City Centre Artist Lodge is participating in its first open studio weekend for First Saturday, September 3, 12-5pm.

First Saturday is an ongoing public monthly artist-run open studio event.

Visit firstsaturday.ca for full list of participating Vancouver/North Vancouver artist studios.

City Centre map of studios open for First Saturday, September 3, 2023.

Becoming a Pixel

Last month I finished the first portrait from my series Becoming a Pixel so I thought it was time to share a little more about the project:

Becoming a Pixel - Portrait 1/5, 2022, embroidery floss, Aida cloth⁠, 7 x 7 inches, 36 hours of labour

My multidisciplinary practice explores the intersection of digital art and embroidery, through processes rooted in traditional craft. I’m interested in the dichotomy between fast-paced digital technologies and the time-consuming practices of cross-stitching, knitting, and other needlework. Through my laborious approach to making art, I mirror society’s obsession with technology and its ability to both connect and disconnect. My project Becoming a Pixel will be a series of cross-stitched self-portraits that visually demonstrate how digital technologies are impacting the way we view ourselves and engage in the world.

(Detail) Becoming a Pixel - Portrait 1/5, 2022, embroidery floss, Aida cloth⁠, 7 x 7 inches

The Covid-19 pandemic has caused the world to evolve and adapt more towards digitization. The most convenient way to stay connected has been through our computers and devices. On the one hand, technology has been the glue that has held us together and it is how we have been able to express our frustrations, triumphs, and hardships through this new “normal”. Digital spaces are where we now spend most of our time. This means that our existence is almost always mediated through a screen or some form of digital technology.

On the other hand, the loss of physical connection has also caused us to feel more disconnected from each other. It can be hard to feel connected to others and have meaningful interactions through digital spaces. But it can also be challenging to stay truly connected to yourself. While using technology we are constantly being bombarded with advertisements and content that often become difficult to ignore. Algorithms curate most digital content, which means we have very little control over what we are being exposed to daily. With this loss of power, we begin to lose our sense of self, and our individuality can get lost in the void of virtual space.

Becoming a Pixel - Portrait 1/5, 2022, embroidery floss, Aida cloth⁠, 7 x 7 inches, 36 hours of labour


The Becoming a Pixel series will emphasize the loss of self through virtual space, each of the five cross-stitched self-portraits will become progressively more pixelated from the previous one. The same black and white self-portrait will be used to create the cross-stitch pattern for each piece in the series. Now that the first pattern has been cross-stitched, it has been scanned and converted into a new cross-stitch pattern (which will be used for the second portrait). For each new pattern the number of pixels are reduced by fifty percent, but the number of cross-stitches in the patterns remain consistent. This will result in portraits that become increasingly devoid of detail, and increasingly devoid of my own identity. The final portrait will appear as a solid square (pixel), symbolizing loss of human identity through digital technology. 

(Detail) Becoming a Pixel - Portrait 1/5, 2022, embroidery floss, Aida cloth⁠, 7 x 7 inches

 
 

April 2022 - Update

  • Grant Project Update - Becoming a Pixel

  • Vancouver Cityscape (mixed media textile project)

  • Cross-stitch on 23 inch embroidery hoop

  • 30th Birthday & Debt Free


Grant Project Update - Becoming a Pixel

This week marked the start of my next grant project. Huge thanks and photo credit goes to Ivana Djordjevic for taking some beautiful portraits (I'll be sharing more shots from the studio, but you'll have to wait patiently to see those)!

Yesterday morning, I uploaded this photo into StitchFiddle.com to create the pattern I am using to cross-stitch the first portrait from my "Becoming a Pixel" series.

I'm so excited to work on this project and of course I need to make a special shout out to the Canada Council for the Arts for their support in funding this one.

Stay tuned with me on social media in the next couple of days, where I'll be sharing more of the process and behind the scenes.

Photo credit: Ivana Djordjevic - Ease Creative Inc.


Vancouver Cityscape (mixed media textile project)

I began working on a new mixed media textile project which I’m creating specifically for a solo exhibition in February 2023, in Mt. Pleasant Michigan. The theme of the show is “crafted” architecture and I’ll be showing works that feminize masculine imagery through the use of traditional feminine craft processes. I will be constructing a Vancouver cityscape using only textiles and fibres with a combination of hand sewing, machine sewing, crochet, cross-stitch and free hand embroidery. So far the process has been very experimental and I’ve pretty much just been taking it one step at a time and seeing where it takes me.

The first part of the process was taking photographs of the city line and digitally collaging various images of the industrial urban environment. Once I finished this digital collage, I projected the image onto a large piece of craft canvas and sketched the outline of the city using pencil.

Next I had to re-familiarize myself with how to use a sewing machine since it’s been over ten years since I’ve used one (not since high school)! I purchased a second hand sewing machine through Facebook Marketplace. I quickly read the manual and started doing some tests on scraps of fabric. From there it took a little guts and courage to take the leap into sewing with the machine on my large canvas, overall I’m satisfied with how the city outline turned out.

I also started to experiment with free-hand embroidery, which is very new to me! As most of you probably know, cross-stitching has been my main medium of choice for the past several years. So getting out of the structure of the grid and being a little more free with my stitches has been very relaxing and fun to say the least (don’t get me wrong, I still love and prefer to cross-stitch). In the end, the analytical part of my brain is too strong to give into free-hand embroidery over cross-stitching. Trust me it’s just not going to happen.

As I moved onto the next stage of the project I knew I wanted to incorporate fabric, but wasn’t exactly sure how I would do it. I sorted through a box of scraps that my mom delivered to my studio a few days before getting started on the project. I separated similar colours together and landed on three different patterned fabrics in a blue colour scheme. I cut them into two inch strips and started to pin them onto my canvas. Voila! Just like that, I started to visualize the progression of the project!

After pinning the strips, I went straight to the machine and sewed my fabric buildings onto the canvas. With the spaces in between I wanted to use a variety of fibre mediums and so I planned out the layout of the fibre buildings in my sketchbook. I headed to Michaels and purchased a few skeins of yarn which could be used for the project. Then I got started on crocheting building strips in two different shades of blue.

A lot came together for this project in the span of just a few days, but I’m really happy with where it’s going so far! Sad to say that for now the progress on this project is going to slow down as I focus on my grant project and another new large cross-stitch project which I’m making for my show in Sechelt this October 2022.


Cross-stitch on 23 inch embroidery hoop

This large 23 inch embroidery hoop project will also be taking a back burner position for most of this year. Expect to see very slow progression on this one, as it’s for my solo show in Fort Wayne, Indiana in May 2023.


30th Birthday & Debt Free

A few weeks ago I celebrated two big milestones. The first was my 30th birthday, which was a day filled with pampering. The day included a massage, a pedicure and a fabulous dinner with my best friend Mara, at The Botanist at the Fairmont Pacific Rim, served by my wonderful cousin Avital!

That same day I made the final payment on my student loans, which is a huge accomplishment and weight off my shoulders. I went to post-secondary directly out of high school and was a full-time university student for seven years straight (four years of which I was also a student athlete). I didn’t have enough time to work a steady job with a steady income.

After graduating with my MFA I found myself a job in Vancouver (with SAXX) which paid salary and I was determined to pay off my loans. Four and a half years later, I did it and I’m thrilled to finally be debt free! Cheers!