March/April 2020 - Update

March 31, 2020

Hello everyone, I hope you’re all hanging in there! No matter where you’re stuck in quarantine, we’re all in this together! Needless to say, that with the current situation (covid-19) things have definitely been challenging. I’ve been working my day job remotely for the last few weeks and will continue to do so until further notice. I didn’t post last month due to some computer difficulties, so I’m excited to share photos of finished works, which I hope will help bring some joy to your day!

Side note: back in January/February I read a book called “Just Kids” by Patti Smith, which was a biographical love story between herself and Robert Mapplethorpe. I really enjoyed the poetic nature of her writing and the glimpse into their lives as struggling artists in New York City in the 70-80s. If you’re looking for something to read, I would highly recommend it.

Alright, time to switch gears and update you on my art practice! Over the past couple of months, I finished the last two cross-stitched pieces from the Translation Series, which is a series of 9 in total. The next step will be to “translate” each of these cross-stitched pieces into paintings. You may or may not remember that I completed one of these paintings back in September while I was at the Vermont Studio Center Residency.

Translation #8 Paint By Numbers, 2020, acrylic, canvas, embroidery floss, 4 x 4 inches and Translation #8- Cross-Stitch, 2020, embroidery floss, Aida cloth, 6 x 6 inches — *Translation #8 Paint By Numbers,* 2020, acrylic, canvas, embroidery floss, 4 x 4 inches and *Translation #8- Cross-Stitch*, 2020, embroidery floss, Aida cloth, 6 x 6 inches

Translation #9- Paint By Numbers, 2020, acrylic, canvas, embroidery floss, 4 x 4 inches and Translation #9- Cross-Stitch, 2020, embroidery floss, Aida cloth, 6 x 6 inches — *Translation #9- Paint By Numbers,* 2020, acrylic, canvas, embroidery floss, 4 x 4 inches and *Translation #9- Cross-Stitch*, 2020, embroidery floss, Aida cloth, 6 x 6 inches

Translation #1-9- Cross-Stitch, 2019 - 2020, embroidery floss, Aida cloth, 6 x 6 inches each — *Translation #1-9- Cross-Stitch*, 2019 - 2020, embroidery floss, Aida cloth, 6 x 6 inches each

While my computer was out of commission, I focused on finishing another painting from the Paint by Numbers Series. This was another project I worked on while I was in Vermont, but to be honest I don’t enjoy hand-stitching these painting as much as I do cross-stitching. I think it’s because it takes more concentration to push the threaded needle through canvas with paint, rather than through a gridded canvas with holes (cross-stitching).

Pattern F (front view), 2020, canvas, embroidery floss, graphite, 19.5 x 19.5 inches — *Pattern F* (front view), 2020, canvas, embroidery floss, graphite, 19.5 x 19.5 inches

Pattern F (back view), 2020, canvas, embroidery floss, graphite, 19.5 x 19.5 inches — *Pattern F* (back view), 2020, canvas, embroidery floss, graphite, 19.5 x 19.5 inches

Lastly, I’ve finally been spending a more focused effort on a project I started a couple years ago (it’s been a side project). Stitching Loose Ends is a time-based piece that uses up remnants of embroidery thread leftover from old cross-stitch projects. I’m always looking for ways to reduce my waste, whether it’s in my every day life or my art practice. This piece will eventually be shown in a group shown with We Are Pie art collective at the Kariton Gallery in Abbotsford. The show was scheduled to open in July, but I anticipate this will be delayed due to covid-19 closures. As soon as I have an update I’ll let you know when/if the show is re-scheduled.

Until next time, please stay safe and healthy!

Stitching Loose Ends (progress shot), 2018-2020, embroidery floss, Aida cloth, 16 inches wide x 1 3/4 inches thick — *Stitching Loose Ends* (progress shot), 2018-2020, embroidery floss, Aida cloth, 16 inches wide x 1 3/4 inches thick

Translation #7- Paint By Numbers, 2020, acrylic, canvas, embroidery floss, 4 x 4 inches and Translation #7- Cross-Stitch, 2020, embroidery floss, Aida cloth, 6 x 6 inches — *Translation #7- Paint By Numbers,* 2020, acrylic, canvas, embroidery floss, 4 x 4 inches and *Translation #7- Cross-Stitch*, 2020, embroidery floss, Aida cloth, 6 x 6 inches

February 2020 - Update

February 04, 2020

Not much to update on this month. I got around to finishing another cross-stitch from my Translation Series. I also start another hand-stitched painting from the Paint by Numbers Series. Other than that, I’m just slowly plugging away at these two series right now while also thinking about another potential project for a group show coming up this summer in Abbotsford at the Kariton Art Gallery.

Kicking off the New Year!

January 01, 2020

I haven’t been posting much lately about my art practice and that’s mainly due to a busy last couple of months at my day job. This post will be short and simple, so that I can quickly share a few photos of some work that was wrapped up at the end of 2019.

Wishing you all a Happy New Year! It’s hard to believe that the year 2020 has now started!

Pattern E (front view), 2019, acrylic, canvas, embroidery floss, 9.5 x 9.5 inches — *Pattern E* (front view), 2019, acrylic, canvas, embroidery floss, 9.5 x 9.5 inches

Translation #5 - Cross-Stitch, 2019, embroidery floss, Aida cloth, 6 x 6 inches — *Translation #5 - Cross-Stitch*, 2019, embroidery floss, Aida cloth, 6 x 6 inches

Pattern E (back view), 2019, acrylic, canvas, embroidery floss, 9.5 x 9.5 inches — *Pattern E* (back view), 2019, acrylic, canvas, embroidery floss, 9.5 x 9.5 inches

Translation #6 - Cross-Stitch, 2019, embroidery floss, Aida cloth, 6 x 6 inches — *Translation #6 - Cross-Stitch*, 2019, embroidery floss, Aida cloth, 6 x 6 inches

October 2019 - Update

November 04, 2019

The month of October was spent adjusting back to real life with a full-time day job. I found I still had lots of motivation left over from the residency and I was able to get a solid amount of work done. I completed another cross-stitch in the Translation Series, a painting from the Paint by Numbers Series, added a couple rows to Stitching Loose Ends and submitted to several galleries for shows in the new year, as well as an artist residency in France.

Pattern D (front view), 2019, acrylic, canvas, embroidery floss, 9.5 x 9.5 inches — *Pattern D* (front view), 2019, acrylic, canvas, embroidery floss, 9.5 x 9.5 inches

Pattern D (back view), 2019, acrylic, canvas, embroidery floss, 9.5 x 9.5 inches — *Pattern D* (back view), 2019, acrylic, canvas, embroidery floss, 9.5 x 9.5 inches

Stitching Loose Ends, work in progress (2018-2019), embroidery floss, Aida cloth — *Stitching Loose Ends*, work in progress (2018-2019), embroidery floss, Aida cloth

I also started to work on an old photography project I started back in 2017 while I was finishing up my MFA in Winnipeg. The idea behind the project was to shoot roll of film with a list of pre-established camera-settings. Therefore, each frame had an assigned f-stop and shutter speed. This further expands my approach to creating art as a machine through a new medium, using analog photography. The photos from the project were all printed in the darkroom at U of M, but now I’m planning to assemble them into a handmade book.

Lately my weekend routine consists of running errands on Saturdays, doing household chores on Sundays, cross-stitching, Netflixing, and taking in the beautiful sun rays in my apartment.

Translation #4 - Cross-Stitch (detail), 2019, embroidery floss, Aida cloth, 6 x 6 inches — *Translation #4 - Cross-Stitch* (detail), 2019, embroidery floss, Aida cloth, 6 x 6 inches

Translation #4- Paint By Numbers, 2019, acrylic, canvas, embroidery floss, 4 x 4 inches and Translation #4 - Cross-Stitch, 2019, embroidery floss, Aida cloth, 6 x 6 inches — *Translation #4- Paint By Numbers,* 2019, acrylic, canvas, embroidery floss, 4 x 4 inches and *Translation #4 - Cross-Stitch*, 2019, embroidery floss, Aida cloth, 6 x 6 inches

Vermont Studio Center, Johnson, VT, September 2019 — *Vermont Studio Center*, Johnson, VT, September 2019

Vermont Studio Center - Artist Residency

October 06, 2019

My 1-Month residency at the Vermont Studio Center feels like a dream that I wish I had never woken up from! A soon as I had arrived, I knew that I was going to be part of something spectacular. The creative energy was abundant and buzzing amongst the 55+ artists and writers, as soon as we stepped foot onto the “campus”. We all fed off of this positive vibe and took it as a motivator to be productive in our own unique ways.

Church Studios, Vermont Studio Center, Johnson, VT, September 2019 — *Church Studios*, Vermont Studio Center, Johnson, VT, September 2019

Most of my time in Vermont was spent in my studio, located in Church Studios. The building was newly renovated due to a recent fire. I was extremely happy with my studio space and the beautiful natural light that came with the tall church windows. I immediately went to work and was determined to be productive. What would’ve taken me 2 months to complete back at home (during the spare hours of weekday evenings and weekends), only took me 2 weeks while at the residency. I’m thrilled with the amount of progress I made on this new body of work and I only wish I could’ve stayed at the residency longer!

Photo of the studio before the work began.

On Day 1, I started off by unpacking my paint squares from my Paint by Numbers series. The patterns were pre-planned as I had picked all the squares a couple days before my departure. By doing this I only brought the supplies that were necessary to make the projects I planned to work on during the residency.

Bottom left is the notebook where I sketched out each pattern for the paintings I planned to make while in Vermont.

Each painting stacked and held together with elastic bands.

I pre-planned nine patterns for the Paint by Numbers Series, however, in the end I only ended up finishing three (the two on the left and the middle painting). I ended up splitting time evenly between this series and the Translation Series. — I pre-planned nine patterns for the *Paint by Numbers Series*, however, in the end I only ended up finishing three (the two on the left and the middle painting). I ended up splitting time evenly between this series and the *Translation Series.*

After I finished unpacking, I started off by cross-stitching the first translation,Translation #1, from the Translation Series.

Translation Series paintings pre-planned and laid out on a window sill. — *Translation Series* paintings pre-planned and laid out on a window sill.

Starting to cross-stitch Translation #1 using a Stitch Fiddle pattern on my laptop, created using a scan of the hand-stitched painting. — Starting to cross-stitch *Translation #1* using a Stitch Fiddle pattern on my laptop, created using a scan of the hand-stitched painting.

Detail shot of Translation #1 cross-stitch in progress. — Detail shot of *Translation #1* cross-stitch in progress.

I was thrilled at how quickly I was able to get Translation #1 - Cross-Stitch finished. I figured out that I could get 1/4 complete in a day, which meant that I could complete a cross-stitch this size in 4 days if I put in 6-6.5 hours per day (something I could never do while at home). Before I started the next cross-stitch, I started working on the the first stitched painting, Pattern A.

Translation #1 - Paint By Numbers, 2019, acrylic, canvas, embroidery floss, 4 x 4 inches and Translation #1 - Cross-Stitch, 2019, embroidery floss, Aida cloth, 6 x 6 inches — *Translation #1 - Paint By Numbers,* 2019, acrylic, canvas, embroidery floss, 4 x 4 inches and *Translation #1 - Cross-Stitch*, 2019, embroidery floss, Aida cloth, 6 x 6 inches

Pattern A in progress, back view. — *Pattern A* in progress, back view.

Pattern A in progress, front view. — *Pattern A* in progress, front view.

Once I finished sewing Pattern A, I completed Translation #2 - Paint By Numbers and brought out the iron to get things that were done looking crisp and flat. After these were ironed and scanned, I started prepping the cross-stitch pattern for Translation #2 and planned out the embroidery floss colours.

Everything ironed, sitting on a stool in my studio, before I packed things up and took them to the lounge to be scanned.

Pattern A, 2019, acrylic, canvas, embroidery floss, 9.5 x 9.5 inches — *Pattern A*, 2019, acrylic, canvas, embroidery floss, 9.5 x 9.5 inches

Planning out colours for Translation #2 - Cross-Stitch — Planning out colours for *Translation #2 - Cross-Stitch*

As I continued to cross-stitch, I was starting to realize that I had not packed enough blue and green embroidery floss. I knew I had to buy more, but there wasn’t anywhere in Johnson, VT that sold embroidery floss. An employee from the residency suggested that I post something on the local neighbourhood forum. Within 1-day I was able to source a local resident who was willing to donate a beautiful stash of embroidery floss from her personal collection. She insisted that I take as much as I like, although I still had to restrain myself from taking too much. Afterwards it had started to rain and she kindly gave me a ride back into the main part of town (I had walked 20 min on the way there). I definitely hit the jackpot with this one and I’ll never forget this women’s generous offering!

Amazing stash of embroidery floss donated by a local Johnson, VT resident.

Presenting at “Res Pres”, talking about the Glitch Series. — Presenting at “*Res Pres*”, talking about the *Glitch Series*.

At the end of the first week, I signed up for the Resident Presentations and gave a Pecha Kucha style artist talk (20 slides, 20 seconds each, 7 minutes total). Each week artists and writers shared their work both past and present. It was truly inspirational and insightful to hear everyone talk about their processes and ideas/concepts behind the work they create.

Translation #2 - Cross-Stitch (Detail) — *Translation #2 - Cross-Stitch* (Detail)

Pattern B, work in progress — *Pattern B,* work in progress

During the second week, I worked hard on completing Translation #2 - Cross-Stitch and Pattern B. As I was working on these simultaneously, I also began to think about the next stage of the Translation Series and went to the local art store to buy some supplies. I purchased 2 yards of raw canvas and acrylic gouache paint, which I’d been meaning to get around to trying! I usually only ever paint with acrylic paint and the occasional water colour.

Studio Store, the local art supply store was right across the street from my studio. — *Studio Store*, the local art supply store was right across the street from my studio.

Laying out the 2 yards of raw canvas I purchased, so that I could cut it into 20 x 20 inch squares.

Translation #2 - Cross-Stitch, 2019, embroidery floss, Aida cloth, 6 x 6 inches — *Translation #2 - Cross-Stitch,* 2019, embroidery floss, Aida cloth, 6 x 6 inches

Pattern B (back view), 2019, canvas, embroidery floss, graphite, 9.5 x 9.5 inches — *Pattern B* (back view), 2019, canvas, embroidery floss, graphite, 9.5 x 9.5 inches

Pattern B (front view), 2019, canvas, embroidery floss, graphite, 9.5 x 9.5 inches — *Pattern B* (front view), 2019, canvas, embroidery floss, graphite, 9.5 x 9.5 inches

After cutting up the raw canvas, I stapled a few pieces to the walls of my studio and primed them with gesso. Then I began testing out how I was going to paint by measuring and taping out, as precisely as possible, each square. Once I was comfortable with how the test was going, I moved onto preparing the canvas by measuring and numbering each column and row, which took a lot of concentration and patience. Finally I was ready to paint! During each “round” there were 64 squares exposed at a time, which I calculated to take me an average of 45 mins.

Testing out how to use painter’s tape to paint small 0.5 inch squares one at a time.

Canvas fully prepped with all the columns and rows numbered.

After taping off the canvas, 64 1/2 inch squares were exposed at one time. To the left of the canvas is the cross-stitch pattern I followed to do the painting.

On Thursday, we had our first evening of Open Studios which was an amazing night of walking around to all the studios and seeing the hard work that everyone had created so far. See below for a slideshow of photos from the night.

My Studio

On the weekend, I was feeling a little burnt out from all my hard work and walking around from Open Studios. My friend Lauren and I went for a walk to explore our natural surroundings and take photos (slideshow below). Then in the evening we stayed in, ate junk food, and watched a movie.

The following week, I started to rotate between three different stations in my studio: 1. Sewing Paint Squares, 2. Cross-Stitching, 3. Painting Squares.

I also volunteered to have my saliva swabbed at Lauren’s pop up clinic in her studio. Click here to learn more about her Plasticization Clinic. I filled out a medical form, gave her a swab of my DNA, and she took my photo. Now I’m “in the system” as… — I also volunteered to have my saliva swabbed at Lauren’s pop up clinic in her studio. Click here to learn more about her Plasticization Clinic. I filled out a medical form, gave her a swab of my DNA, and she took my photo. Now I’m “in the system” as part of the archive for her project!

Lauren and I also decided to go for another walk and we finally found “Journey’s End”, a trail that lead to a small waterfall. See slideshow below for photos taken during our nature walk and some other photos of Johnson, VT.

As the residency was starting to come to a close, I worked hard to finish the three works I had in progress. My goal was to finish the cross-stitch, the hand-stitched painting and the small test paintings all in time for the last Open Studio.

Translation #3 - Cross-Stitch, work in progress. — *Translation #3 - Cross-Stitch*, work in progress.

Translation #1 - Gouache Painting, work in progress. — *Translation #1 - Gouache Painting*, work in progress.

Lauren had to leave a couple days early to get back to NY for a class she was teaching, so we decided to revisit a restaurant in a nearby town called Stowe, for some delicious pizza from “Pie-casso” as a little farewell dinner.

The last couple of days I spent wrapping up my projects and working on submissions for various exhibitions and publications.

Translation #1 - Gouache Painting, 2019, gouache, canvas, 10 x 10 inches — *Translation #1 - Gouache Painting*, 2019, gouache, canvas, 10 x 10 inches

Translation #3 - Cross-Stitch, 2019, embroidery floss, Aida cloth, 6 x 6 inches — *Translation #3 - Cross-Stitch*, 2019, embroidery floss, Aida cloth, 6 x 6 inches

Untitled, work in progress — *Untitled*, work in progress

After finishing my projects, I cleaned up my studio and hung all of my finished pieces on the walls for the second round of Open Studios.

Translation #2 - Paint By Numbers, 2019, acrylic, canvas, embroidery floss, 4 x 4 inches and Translation #2 - Cross-Stitch, 2019, embroidery floss, Aida cloth, 6 x 6 inches — *Translation #2 - Paint By Numbers,* 2019, acrylic, canvas, embroidery floss, 4 x 4 inches and *Translation #2 - Cross-Stitch*, 2019, embroidery floss, Aida cloth, 6 x 6 inches

Translation #3- Paint By Numbers, 2019, acrylic, canvas, embroidery floss, 4 x 4 inches and Translation #3 - Cross-Stitch, 2019, embroidery floss, Aida cloth, 6 x 6 inches — *Translation #3- Paint By Numbers,* 2019, acrylic, canvas, embroidery floss, 4 x 4 inches and *Translation #3 - Cross-Stitch*, 2019, embroidery floss, Aida cloth, 6 x 6 inches

Pattern C (front view), 2019, canvas, embroidery floss, graphite, 19.5 x 19.5 inches — *Pattern C* (front view), 2019, canvas, embroidery floss, graphite, 19.5 x 19.5 inches

Pattern B (back view), 2019, canvas, embroidery floss, graphite, 19.5 x 19.5 inches — *Pattern B* (back view), 2019, canvas, embroidery floss, graphite, 19.5 x 19.5 inches

Installation shot, Open Studios, Vermont Studio Center, Johnson, VT, 2019 — *Installation shot*, Open Studios, Vermont Studio Center, Johnson, VT, 2019

Untitled, 2019, gouache, canvas, 2.5 x 2.5 inches (each square) — *Untitled*, 2019, gouache, canvas, 2.5 x 2.5 inches (each square)

Untitled (Left), 2019, gouache, canvas, 2.5 x 2.5 inches (each square), Pattern B (Middle), 2019, canvas, embroidery floss, graphite, 9.5 x 9.5 inches, Pattern A (Right), 2019, canvas, embroidery floss, graphite, 9.5 x 9.5 inches — *Untitled* (Left), 2019, gouache, canvas, 2.5 x 2.5 inches (each square), *Pattern B* (Middle), 2019, canvas, embroidery floss, graphite, 9.5 x 9.5 inches, *Pattern A* (Right), 2019, canvas, embroidery floss, graphite, 9.5 x 9.5 inches

More photos from Open Studios round #2.

The last day of the residency was spent packing and cleaning up the studio, as well as saying goodbye to the space, Johnson, and the wonderful people I met along the way. I hope to return to the Vermont Studio Center someday and I’ll definitely be looking to do other residencies in the near future!

The Machine: Knitting Ouroboros, 2019, yarn, wood, approx. 10ft Wide in Diameter — *The Machine: Knitting Ouroboros*, 2019, yarn, wood, approx. 10ft Wide in Diameter

Solo Exhibition: I Come From a Long Line of Machines

September 02, 2019

Last month was my solo exhibition, I Come From a Long Line of Machines, at the Ranger Station Art Gallery in Harrison, BC. Below are some behind the scenes photos from the installation day. It’s always a physical task to unravel and layout The Machine: Knitting Ouroboros. I never really know how the work will fit a space, even with the right preparation. But I couldn’t be happier with how it all came together in the end. I’ve also included a few photos from the Opening Reception.

This exhibition was the largest showing of my work to date. I will continue to expand upon this body of work and I hope to continue showing in solo and group exhibitions across the country. Below are photos of all the works in the show, including title, year, medium, and dimensions.

The Machine: Knitting Ouroboros, 2019, yarn, wood, approx. 10ft Wide in Diameter

(2) When I Cross-Stitch I Feel Like a Machine: 50 Hours of Self-Love and Self-Reflection (left) & (1) When I Cross-Stitch I Feel Like a Machine: 88 Hours of Self-Love and Self-Reflection (right), 2017, embroidery floss, Aida cloth, 20x20 inches

InstructionTable1.2_v8.jpg (left), InstructionTable2.2_v8.jpg (middle), InstructionTable3.2_v8.jpg (right), 2018, float mounted archival inkjet print, 12x12 inches

Glitch Series 01 - Crop_3.jpg (left), Glitch Series 01 - Crop_7.jpg (middle), Glitch Series 01 - Crop_6.jpg (right), archival inkjet prints, embroidery floss, Aida cloth, 16x20 inches (each)

Glitch Series 01 - Crop_2.jpg (top left), Glitch Series 01 - Crop_8.jpg (top middle), Glitch Series 01 - Crop_4.jpg (top right), Glitch Series 01 - Crop_3.jpg (bottom left), Glitch Series 01 - Crop_1.jpg (bottom middle), Glitch Series 01 - Crop_5.jpg (bottom right), archival inkjet prints, embroidery floss, Aida cloth, 16x20 inches (each)

Glitch Series 04 - Crop_1.jpg (top) & Glitch Series 04- Crop_2.jpg (bottom), inkjet prints, embroidery floss, Aida cloth, 11x14 inches (each)

Glitch Series 03 - Crop_6.jpg, archival inkjet print, embroidery floss, Aida cloth, 18x24 inches

August 2019 - Update

August 01, 2019

Glitch Series 04
Vancouver Art Book Fair
WIP
Vermont Studio Center Residency

Glitch Series 04

This past month I re-visited and completed Glitch Series 04. See below for behind the scenes photos, as well as the finished works, which will be framed at 11x14 inches.

Vancouver Art Book Fair

In October, I’ll be participating in the Vancouver Art Book Fair! Since I’m going to be in Vermont for all of September, I wanted to make sure I finished my zine for the fair ahead of time. Below is a sneak peak of my zine titled, Glitches, 5.5 inches x 8.5 inches.

WIP (Work in Progress)

Lately I’ve been spending time adding onto the project below, Timeline (tentative title). This project uses up odds and cut-off ends of embroidery floss that I’ve accumulated while working on other cross-stitch works. I’m finally making some slow and steady progress on this piece, which is going to be my largest cross-stitch to date once it’s complete!

Vermont Studio Center Residency

Only one month till I leave for my 1-month residency at the Vermont Studio Center and I couldn’t be more excited! It’s been a very busy summer and I’m looking forward to having time to relax and really concentrate my efforts on my art practice. Not only will this mean more time to work on projects, but I’m also hoping to work on research and catch up on reading. During this residency, I also want to work on improving my writing/talking about my art. So far my plans for studio work during the residency are to expand on my Paint by Numbers Series by incorporating cross-stitch and potentially re-painting on a larger scale. I’m also interested in investigating alternative modes of installation/presentation. The possibilities are endless, which is why I’m thrilled to have the time and space to explore new ideas!

July 2019 - Update

July 03, 2019

Glitch Series 03
Solo Exhibition: I Come From a Long Line of Machines

Glitch Series 03

This past month I’ve been spending approximately 20-24 hours per week cross-stitching whenever possible. Why, you might ask? I was determined to finish Glitch Series 03. I’m happy to say that I did it! This series will be framed in 18x24” frames, each cross-stitch and glitch image is approx. 5.5 inches. I’m so happy to have another series under my belt, but I’m also looking forward to completing Glitch Series 04 which is currently in progress.

Solo Exhibition - I Come From a Long Line of Machines

Only a month away till my solo exhibition: I Come From A Long Line of Machine at the Ranger Station Art Gallery, in Harrison, BC. If you haven’t made any August long weekend plans, why not make a day trip out to Harrison for the opening reception on August 4th, starting at 2pm? The show will include Glitch Series 01, a new series of Instruction Tables, The Machine: Knitting Ouroboros, Think Like a Human Act Like a Machine, When I Cross-Stitch I Feel Like a Machine, and a few other Glitch Series pieces!

June 2019 - Update

June 01, 2019

Spring 2019 Wine + Art Walk
Glitch Series 03 - Progress

Spring 2019 Wine + Art Walk

On May 30th, We Are Pie Artist Collective participated in the Spring 2019 Wine + Art Walk, in Downtown Abbotsford. Although I wasn’t able to attend in person, below is a photo of some of the art our collective had on display at The Kindred Clothing Co.

Glitch Series 03 - Progress

I’ve been working on hard on Glitch Series 03 and my goal is to finish the series by the end of the month. I only have three more to complete the series for a total of 9. Then I’m planning to finish Glitch Series 04 which is already in progress.

May 2019 - Update

May 05, 2019

Spring 2019 Wine + Art Walk
Etsy Shop
Solo Exhibition: Ranger Station Art Gallery
Artist Residency: Vermont Studio Center

Spring 2019 Wine + Art Walk

On May 30th, We Are Pie Artist Collective will be participating in the Spring 2019 Wine + Art Walk, in Downtown Abbotsford. Tickets have already sold out! The night consists of drinking wine and walking to the nearby stores which are showcasing the work of local artists. We Are Pie will be displaying our art at The Kindred Clothing Co.

Etsy Shop

I’ve recently spent some time updating my Etsy Shop with a range of original art, prints, and pinback buttons. I’m also looking for local artisan shops to sell my work at, so if you know of any shops I should check out, please let me know!

Solo Exhibition: Ranger Station Art Gallery

(1)Mallory Donen_InstructionTable1.2_v8.jpg_12x12.jpg

(10)Mallory Donen_The Machine_Knitting Ouroboros_13ft Wide.jpg

(2)Mallory Donen_InstructionTable2.2_v8.jpg_12x12.jpg

(3)Mallory Donen_InstructionTable3.2_v8.jpg_12x12.jpg

(6)Mallory Donen_(1)WhenICross-StitchIFeelLikeaMachine_20x20.jpg

(7)Mallory Donen_(2)WhenICross-StitchIFeelLikeaMachine_20x20.jpg

(8)Mallory Donen_Think Like a Human Act Like a Machine_ Programming an Artist_12x12.jpg

This summer I have a solo exhibition, I Come From A Long Line of Machines, at the Kent Harrison Arts Council - Ranger Station Art Gallery in Harrison, BC. The exhibition will run from August 3-25, with an opening reception taking place on Sunday, August 4th from 2-4pm. The exhibition consists of my MFA thesis work as well as new works I’ve created since graduate school.

Artist Residency: Vermont Studio Center

After my solo exhibition in Harrsion, I’ll be taking off to the Vermont Studio Center for a 4-week residency, from September 1-27th. “The VSC is the largest international residency program in the US, hosting more than 50 visual artists and writers each month from across the country and around the world”. The artist residency will provide the time and opportunity to deepen my practice and network with other artists. Established visiting artists will give public talks and attend open studio sessions. I will also have the chance to give an artist talk and share my practice further through a slide presentation.