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Mallory Donen

Creating connections between pixels and threads.
  • Available Artworks
  • Exhibitions
  • Recent Work
    • Instruction Tables
    • Translation Series
    • Static Glitch
    • Eri Simulation
    • Monochrome Series
    • Proofs of Labour
    • Vancouver Cityscape
    • Mundane Cross-Stitch Series
    • Becoming a Pixel
    • Glitch Streak
    • Invisible Labour: Cross-Stitching, Feminism, & the Collective Strength of Women
    • Uncanny Cross-Stitch Series
  • Archive
    • Society Reboot
    • Remnants of the Manmade
    • System Failure
    • What Am I?
    • What Happens to a Stressed System?
    • Glitch Series
    • May 6, 2017
    • Paint by Numbers Series
    • Knitting Ouroboros
    • Act Like a Machine
    • I Feel Like a Machine
    • Murals
    • Strokes
    • Urban Landscape
  • About
    • Biography
    • CV
    • Social
  • Merch Shop
  • Custom
  • Patreon
  • Events
  • Blog
  • Subscribe
  • Contact
The Machine: Knitting Ouroboros, 2019, yarn, wood, approx. 10ft Wide in Diameter

The Machine: Knitting Ouroboros, 2019, yarn, wood, approx. 10ft Wide in Diameter

Solo Exhibition: I Come From a Long Line of Machines

September 02, 2019

Last month was my solo exhibition, I Come From a Long Line of Machines, at the Ranger Station Art Gallery in Harrison, BC. Below are some behind the scenes photos from the installation day. It’s always a physical task to unravel and layout The Machine: Knitting Ouroboros. I never really know how the work will fit a space, even with the right preparation. But I couldn’t be happier with how it all came together in the end. I’ve also included a few photos from the Opening Reception.

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This exhibition was the largest showing of my work to date. I will continue to expand upon this body of work and I hope to continue showing in solo and group exhibitions across the country. Below are photos of all the works in the show, including title, year, medium, and dimensions.

  The Machine: Knitting Ouroboros , 2019, yarn, wood, approx. 10ft Wide in Diameter

The Machine: Knitting Ouroboros, 2019, yarn, wood, approx. 10ft Wide in Diameter

  The Machine: Knitting Ouroboros , 2019, yarn, wood, approx. 10ft Wide in Diameter

The Machine: Knitting Ouroboros, 2019, yarn, wood, approx. 10ft Wide in Diameter

  The Machine: Knitting Ouroboros , 2019, yarn, wood, approx. 10ft Wide in Diameter

The Machine: Knitting Ouroboros, 2019, yarn, wood, approx. 10ft Wide in Diameter

  (2) When I Cross-Stitch I Feel Like a Machine: 50 Hours of Self-Love and Self-Reflection  (left) &   ( 1) When I Cross-Stitch I Feel Like a Machine: 88 Hours of Self-Love and Self-Reflection  (right) ,  2017, embroidery floss, Aida cloth, 20x20

(2) When I Cross-Stitch I Feel Like a Machine: 50 Hours of Self-Love and Self-Reflection (left) & (1) When I Cross-Stitch I Feel Like a Machine: 88 Hours of Self-Love and Self-Reflection (right), 2017, embroidery floss, Aida cloth, 20x20 inches

  InstructionTable1.2_v8.jpg  (left),  InstructionTable2.2_v8.jpg ( middle),  InstructionTable3.2_v8.jpg  (right), 2018, float mounted archival inkjet print, 12x12 inches

InstructionTable1.2_v8.jpg (left), InstructionTable2.2_v8.jpg (middle), InstructionTable3.2_v8.jpg (right), 2018, float mounted archival inkjet print, 12x12 inches

  Glitch Series 01 - Crop_3.jpg  (left),  Glitch Series 01 - Crop_7.jpg  (middle),  Glitch Series 01 - Crop_6.jpg  (right), archival inkjet prints, embroidery floss, Aida cloth, 16x20 inches (each)

Glitch Series 01 - Crop_3.jpg (left), Glitch Series 01 - Crop_7.jpg (middle), Glitch Series 01 - Crop_6.jpg (right), archival inkjet prints, embroidery floss, Aida cloth, 16x20 inches (each)

  Glitch Series 01 - Crop_2.jpg  (top left),  Glitch Series 01 - Crop_8.jpg  (top middle),  Glitch Series 01 - Crop_4.jpg  (top right),  Glitch Series 01 - Crop_3.jpg  (bottom left),  Glitch Series 01 - Crop_1.jpg  (bottom middle),  Glitch Series 01

Glitch Series 01 - Crop_2.jpg (top left), Glitch Series 01 - Crop_8.jpg (top middle), Glitch Series 01 - Crop_4.jpg (top right), Glitch Series 01 - Crop_3.jpg (bottom left), Glitch Series 01 - Crop_1.jpg (bottom middle), Glitch Series 01 - Crop_5.jpg (bottom right), archival inkjet prints, embroidery floss, Aida cloth, 16x20 inches (each)

  Glitch Series 04 - Crop_1.jpg  (top) &  Glitch Series 04- Crop_2.jpg  (bottom), inkjet prints, embroidery floss, Aida cloth, 11x14 inches (each)

Glitch Series 04 - Crop_1.jpg (top) & Glitch Series 04- Crop_2.jpg (bottom), inkjet prints, embroidery floss, Aida cloth, 11x14 inches (each)

  Glitch Series 03 - Crop_6.jpg,  archival inkjet print, embroidery floss, Aida cloth, 18x24 inches

Glitch Series 03 - Crop_6.jpg, archival inkjet print, embroidery floss, Aida cloth, 18x24 inches

  The Machine: Knitting Ouroboros , 2019, yarn, wood, approx. 10ft Wide in Diameter   The Machine: Knitting Ouroboros , 2019, yarn, wood, approx. 10ft Wide in Diameter   The Machine: Knitting Ouroboros , 2019, yarn, wood, approx. 10ft Wide in Diameter   (2) When I Cross-Stitch I Feel Like a Machine: 50 Hours of Self-Love and Self-Reflection  (left) &   ( 1) When I Cross-Stitch I Feel Like a Machine: 88 Hours of Self-Love and Self-Reflection  (right) ,  2017, embroidery floss, Aida cloth, 20x20   InstructionTable1.2_v8.jpg  (left),  InstructionTable2.2_v8.jpg ( middle),  InstructionTable3.2_v8.jpg  (right), 2018, float mounted archival inkjet print, 12x12 inches   Glitch Series 01 - Crop_3.jpg  (left),  Glitch Series 01 - Crop_7.jpg  (middle),  Glitch Series 01 - Crop_6.jpg  (right), archival inkjet prints, embroidery floss, Aida cloth, 16x20 inches (each)   Glitch Series 01 - Crop_2.jpg  (top left),  Glitch Series 01 - Crop_8.jpg  (top middle),  Glitch Series 01 - Crop_4.jpg  (top right),  Glitch Series 01 - Crop_3.jpg  (bottom left),  Glitch Series 01 - Crop_1.jpg  (bottom middle),  Glitch Series 01   Glitch Series 04 - Crop_1.jpg  (top) &  Glitch Series 04- Crop_2.jpg  (bottom), inkjet prints, embroidery floss, Aida cloth, 11x14 inches (each)   Glitch Series 03 - Crop_6.jpg,  archival inkjet print, embroidery floss, Aida cloth, 18x24 inches
Tags: solo exhibition, I Come From A Long Line of Machines, machines, artist machine, art show, opening reception, installation, art install, sculpture, yarn, yarn art, fine craft, fine art, contemporary art, yvr artist, canadian art, canadian artist, vancouver artist, yvr art, harrison, kent harrison arts council, ranger station art gallery, woman artist, female artist, female art, art blog, artist blog
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